The Lioness of Lisabi

Reposted from Black Looks

THE LIONESS OF LISABI - Funmilayo Ransome-Kuti - "Nigerian feminist and activist who fought for suffrage and equal rights for her countrywomen"

Funmilayo Ransome-Kuti was born on 25th October, 1900 in Abeokuta, Egbaland. The Egba branch of Yoruba (one of many politically autonomous groups each with its own mutually intelligible dialects) lived in an area between Ijebu in the east, Eko (Lagos) in the south and the Ogun river in the west. By 1900 the Egba like other Yoruba had a highly sophisticated social hierarchy and socio-political system and in fact the had been in the south-west of Nigeria for over a millennium. Although women were excluded in all but one of the four branches of government they did have access to the political system through the female only IYALODE society (meaning “Mother of the Town”) which enabled them to be represented in decision making and administration.

The settling of the Egbas in Abeokuta was a result of inter Yoruba wars in the early 19C when thousands of Egbas were killed and 1000s more sold into slavery. Once Abeokuta was secured the Egbas then returned to their traditional economic activity which consisted of a gendered division of labour where the men specialised in agriculture (unusual as most of sub-Saharan Africa this was the women’s role) hunting and warfare and the women cloth production, marketing and trading. The colonial presence in nearby Eko (Lagos) provided the Egbas with a ready market for both agricultural produce and the women’s trading businesses.

By 1892 the colonial government had expanded into Egbaland and created the Egba United Government (EUG) and by 1917, Egba was part of the Southern Nigerian Protectorate. The then Governor, Lord Lugard introduced first a system of direct taxation and secondly created the Sole Native Authority which was a form of indirect rule whereby the Obas (High traditional rulers) acted as agents for the colonial government. The SNA led to an even greater erosion of women’s access to political power as the Alake rarely if at all consulted women in his decision making. Nonetheless the education of girls was seen as essential to the progress of the Egba people. The diminishing status and power of women in Egba was reinforced by the “prejudices and assumptions of the British colonial administration officers who worked for a government in which there were scarcely any women and who therefore did not expect or wish to find women involved in Southern Nigeria” (p11)

The direct taxation system which included women was the one issue that catapulted FRK into the political spotlight first in Abeokuta and then in Nigeria. In fact the issue of colonial FRK was an Afrocentric feminist who recognised that women faced multiple oppressions of race, gender and class and that the way to challenging these oppressions was through the empowering of women. Secondly, although FRK actively fought for equality and justice for women, she was also a nationalist which meant that she fought for the end to colonisation and all forms of domination whether at a local or a national level. Thirdly she was a social democrat and was committed to the reorganisation of Nigerian society in such a way as to promote self-development over and above capitalism and materialism.
taxation of women was a highly contentious one which was taken up not only in Egba but also in other parts of the country and most notably in Igboland.

FRK had no interest in the material trappings of her class and status and although she shunned western dress and refused to speak in English in the public forum, she was a nationalist that had no time for ethnocentrism. Neither did she believe in sticking to tradition for traditions sake. She challenged those aspects of Yoruba culture which she felt were in conflict with her egalitarian worldview such as kneeling or prostrating to an elder, spouse or titled person. Both her and her husband refused to do so and taught their children not to do so.

In 1923 FRK was head teacher of Abeokuta Grammar school (girls branch) and it is here that she organised a group of young girls and women into the Abeokuta Ladies Club. The group made up of western educated middle class and most Christian women concentrated on learning handicrafts and social etiquette. When FRK moved to Ijebu-Ode with her husband she against founded a similar ladies club and again when she moved back to Abeokuta this time the activities including civic projects and organising a range of activities for teenagers of both sexes.

In 1944 FRK was approached by a friend and former student who introduced her to a market women who told FRK that she wanted to learn to read. The ALC regrouped itself and expanded its membership to include market women. Women who were generally poor, Muslim and not educated. It was at this point that FRK truly began her career as a political activist. Listed amongst its aims were “to help in raising the standard of womanhood in Abeokuta… to help in encouraging learning among the adults and thereby wipe out illiteracy”. Members of the extended Ransom-Kuti family were recruited as tutors including Wole Soyinka and his mother, cousins of FRK.

FRK husband had meanwhile founded with others, the National Union of Teachers and these two organisations often went on to work together in their push for women’s rights. In 1945 the issue of price controls of foodstuff sold by the market women was brought to the notice of FRK and the ALC. The ALC sent a number of delegations to the District officer and the Egba Native Administration council – to no avail. However the Daily Service newspaper published an article about the matter and within a week the confiscation of rice ceased.

FRK began to listen to the market women and was horrified to hear of the level of their exploitation by the colonial and ENA. For example, conditional sales, which forced women to buy slow moving goods together with fast moving ones which placed a heavy burden on the women who lived with very low profit margins. Another example was the imposition of quotas of food to be sold to the government, harassment by police and representatives of the Alake (Oba of Abeokuta). All of this came as a great surprise to FRK and she is quoted as saying “ we educated women were living outside the daily life of the people”. It was at this point that she forever abandoned western dress and started wearing the traditional Yoruba wrapper “in order to make the women feel and know I was one of them”.

From this period on the ALC, later to become the Abeokuta Women’s Union, (FRK was the president from inception until her death in 1978) became involved in a series of protest actions. The first was the demand to end government control of trading and for no increase in the taxation of women, the latter would lead to the most “dynamic and protracted struggles, culminating in the temporary abdication of the Alake and reform of the SNA” (p67)

The issue of taxation was a particularly sore issue for the women of Abeokuta who were amongst the first females to be subjected to tax by the colonial government. Girls were taxed at age 15 whilst boys 16 and wives were taxed separately from their husbands irrespective of their income. The women considered the tax as “foreign, unfair and excessive” but they also objected to the method of collection. “Homes were invaded, women sometimes physically assaulted, including being stripped naked …. And jailed for non-payment.” As stated earlier the British had introduced a system of indirect rule so it was the Alake who was ultimately responsible for the collection. This then put him in direct conflict with the Abeokuta women who were also disenfranchised through the process of indirect rule.

The AWU became a huge due-paying organisation with some 20,000 women as members. They were able to organise huge demonstrations. It was a highly disciplined organisation and everyone was expected to follow the rules. The anti-tax protest action was a long and protracted one in which FRK was at the head leading the women in the struggle which eventually resulted in the temporary abdication of the Alake of Abeokuta. The protest consisted of mass demonstrations, refusals to pay the tax. FRK apparently led training sessions in her compound for these demonstrations. Where she showed them how to cover their eyes, noses and mouths with cloth when tear gas was thrown. She also instructed them to pick up the canisters of tear gas and throw them back at the police. The demonstrations were called “picnics” or “festivals” by the women as they were unable to get permits. When one puts the demonstrations into a time context (1947) it becomes even more amazing as the women were utterly fearless. They even challenged the “ORO”, an entirely male “thing or ritual” said to have supernatural powers. At one point FRK seizes the ORO which is like a stick and displayed it in her home. The anti-tax protests took a large toll on FRK and the women but they stuck with it and eventually succeeded in their demands.

FRK’s next step was to organise women on a national level and to move into the international arena. “no other Nigerian woman of her period had the same international exposure.” The AWU became the Nigerian Women’s Union and began establishing autonomous branches throughout Nigeria. FRK herself was invited to talk to women’s groups across the nation. The political objectives of the NWU were getting the franchise for women, allocation of proportional representation for women and the abolition of electoral colleges. In 1953 the NWU held a two day conference, a “parliament of women of Nigeria” with 400 delegates from 15 provinces, in which a number of resolutions relating to the political objectives were passed.

At the conference FRK “propounded a feminist consciousness and ideology… acknowledging that women were victimised by their social conditioning, which led them to internalise a negative self-image and to be passive and apathetic” She went on to criticise polygamy, bride price. FRK was not only concerned with women’s issues. She was also an active member of NCNC even though that organisation tried to ban women from membership of the NWU and the Federation of Nigerian Women’s Societies (FNWS) and used their membership with these organisations as a way to criticise the NCNC on its policy towards women and women’s issues. Eventually FRK was expelled from the NCNC for constantly criticising the party which had since become highly corrupt and its exclusion of women from the decision making process.

FRK’s international career began when together with her husband and their close friend Ladipo Solanke created the infamous West African Student’s Union (WASU). AS well as providing support for West African students studying in London in 1925, WASU promoted nationalist and anti-colonial movements in British West Africa. A list of life long members of WASU reads like a WHO’s WHO of West African leaders and activists: Dr Nnamdi Azikiwe, Chief H O Davies, Aliyi Ekineh, H A Korsah of Gold Coast, Dr Taylor-Cummings of Sierra Leone, the Alake of Abeokuta, Emir of Kano and Asantehene of Ghana. Kwame Nkrumah and Joe Appiah were vice presidents in 1946. WASU was a huge influence on many West African students of the day and played a major part in the independence movements of West African countries. FRK and her husband acted as agents in Nigeria raising funds and distributing pamphlets for the union.

In 1947 FRK left for London as part of an NCNC delegation. During the two months visit, FRK was asked to give a number of talks including one about the state of women in Nigeria. She also wrote an article on the same topic which was published in the British Communist Party paper, the Daily Worker and reproduced for Nigerian papers. FRK argued that under colonial rule women had lost more than men:

“Before the British advent in Nigeria….there was a division of labour between men and women…. Women owned property, traded and exercised considerable political and social influence in society….. With the advent of the British rule…instead of women being educated and assisted… their condition has deteriorated.” She also wrote that women had lost their traditional economic and political power and that they were oppressed by the colonial system and its agents such as the Sole Native Authority in Abeokuta. Once again she clashed with the Alake when she wrote about the how in Abeokuta women were forced to pay taxes that they could not afford and in return did not get even basic amenities and that women were “poverty stricken, disease ridden and malnourished” and held the British government responsible.

The Alake of Abeokuta wrote a reply denouncing the article whilst the Lagos Market Women’s Association and the Abeokuta Women’s Union both declared their support for her arguments and FRK was given a huge reception on her return to Abeokuta.

In 1955 the Rev Ransome-Kuti died of cancer. The next 30 years saw FRK struggle to build and run a series of schools with and without support from local and national government. She also became involved with a series of land litigations which cost her and her children dearly and none of which she was able to win. One of the family properties that became the center of controversy and probably the most infamous sites in Lagos was that which was located at 14 Agege Motor Road. The property had been occupied by FRK’s musician son, FELA. FELA’s music and lyrics were highly critical of Nigerian governments. Fela was a champion of traditional African culture and like his mother a Pan-Africanist. 14 Agege Motor Road had become a commune which Fela called Kalakuta Republic and had changed his name from Ransome Kuti to Anikulapo Kuti meaning “warrior who carries strong protection”.

Kalakuta was often raided by the police and armed forces as was his club “the Shrine”. On February 18th 1977 Kalakuta Republic was surrounded by a thousand armed soldiers (The present president of Nigeria, Olusegun Obasanjo was then Supreme Commander of the military dictatorship of the day). That day, FRK together with Fela’s brother Bekolari, Fela’s many wives and Fela himself. This raid was a particularly brutal one. The soldiers armed with bayonets and clubs stormed the compound without any warning and began to beat people, destroy property and strip women naked. FRK, then 77, was pulled by the hair and literally thrown out of the window severely injuring her leg and putting her into shock. The property was then burned down by the soldiers. The raid known as “Kalakuta War” received a large amount of publicity and the government was forced to undertake an investigation. However this came to nothing and the whole incident was blamed on “over zealous unknown soldiers and to Fela”. No one including the Ransome-Kuti family have been compensated for what happened that day. The raid destroyed FRK’s physical and mental health and observers said she had lost her “fighting Spirit”. A year later the family suit for damages from the Kalakuta raid was dismissed as FRK is said to have moaned “why are they doing this to us”. She died in April that year, one of Nigeria’s truely greats and one of its very few RIGHTS activists.

Young Love

Ahhhh. Our mondays will never be the same.


Haiti will stand again... via Keish Dutes WWW.TASTYKEISH.COM

Haiti will stand again...

Haiti's Presidential Palace before the Earthquake
Haiti's Presidential Palace before the Earthquake
Peace fam!
Yesterday, Haiti was hit with 7.0 earthquake with over a dozen aftershocks, some of which reached as high as 5.9 on the Richter Scale, immediately bringing any already ailing country to its knees. As much as I hate to hear my ancestral land continuously discussed in the press over and over as the “poorest country in the western hemisphere”…it’s true and as an advocate for and a daughter of Haiti, I say now more than ever is the time to step up and help.
I’ll be posting some links that you can look through as far as donating time, money or goods for Haiti’s Earthquake Relief.

Reaching Loved Ones:

1. 1888-407-4747 is the U.S. government number setup to help you reach your family in Haiti.
2. Via @emaphotography on Twitter: “Radio Ginen reported that any1 who has a digicel phone in Haiti try & call after 1pm, they will be reconnecting the lines.” (1/13/10)
Medical:
1. via @georgiap on twitter: :Hôpital Sacré Coeur south of Cap Haitien said to be open and providing medical assistance 2 injured http://bit.ly/8eGJO9 #Haiti”
2. via @thaLadyBlogga on twitter: Calling All Health Care Professionals: http://www.ktvu.com/news/22224296/detail.html
#Nurses
3. via @BreakingNews on twitter: U.S. Navy hospital ship USNS Comfort ordered activated in advance of possible dispatch to Haiti; will take 5 days to ready it – WBAL-TV
Donations (time, money, and/or goods):
1. Locally: BROOKLYN, NY you can donate clothes, canned food,water,money,for http://Yele.org at the House of Art Gallery in Bed Stuy,right on Macon and Lewis
2. Red Cross needs Creole speaking volunteers for 24 hour PHONE BANK! CALL B. WILFORD @ 305-776-6900
3. National/Internationally: This is a comprehensive list by http://itsjustlight.com/?page_id=777 of TOP ORGANIZATIONS you can donate to for Haiti’s Earthquake Relief.
4. Doctors without Borders: https://donate.doctorswithoutborders.org/SSLPage.aspx?pid=197&hbc=1&source=ADR1001E1D01
5. Here’s a fast way to help: Donate to #yele. (http://Yele.org) to donate 5 dollars to the Haitian Earthquake Relief Fund. Text “YELE” at 501501 and they will send you back a confirmation asking YES or NO. Say “YES”…I already did! You can also, contact @StarrMcRae (College Consultant to Wyclef). Email: HaitiQuakeRelief@gmail.com.
By Marthalicia
By Marthalicia
EVENTS:
1/14/2010: Acclaimed Artist, Marthalicia has a solo show at FRESTHETIC GALERîA (560 Grand St. off Lorimer) from 7-10pm. She will have a representative of Haiti’s Earthquake Relief there ready to accept donations.
1/20/2010: LOVE HELPS: an after work mixer at Stay Lounge (244 E. Houston st, NY NY) will be collecting money and pre-paid cell phones to present to Wyclef’s Organization, http://yele.org
1/26/2010: A Monthly Bondfire: a mic open and concert series featuring, Raye 6 and My Brother’s Keeper, hosted by myself and The Bronx Uber Villain! A Monthly Bondfire and Cybil St. Aude of Homebase NYC will be helping with Haiti’s Earthquake Relief by sending SUPPLIES.
Also, I am personally involved in putting together an event with some of the finest in the artist community of New York to give ON GOING support to Haiti. Please stay tuned.
I will be updating this list as time goes on. Do what you can…literally, every little bit helps.
Thank You.

Begining the New Year off with 30 Day Do It & MVMT!!

http://vimeo.com/8514720

MORE Info soon. For now do yourself some justice and watch the video. Then go and check out this dynamic group of people doing something really amazing. Change.

http://mvmt.com/
http://julliengordon.mvmt.com/

Must See Exhibit



Big up to our friend and artist Ajamu Walker and his beautiful wife Nucome. They invited The Toy Plane crew to tag along with them to the opening of Ajamu's group show "GO GET YOUR SHINE ON" at the freaking awesome, awesome, AWESOME Brooklynite Gallery. Deep in the heart of Black Bed-Stuy Brooklyn this gallery is the only bit of Gentfrication  we'll put our stamp of approval on. We do our best not to get caught up in race politics over here, but the only draw back to this otherwise amazing place was it’s janky pseudo hipster crowd and some of it’s staff.

But we digress. The art. That was the reason why we came and the reason why we stayed. We'd get into detail on how amazingly vibrant and interesting everything was but our mood has soured at the memory of some of the evenings patrons. Maybe we'll come back to it.  For now, if your in the "bad neighborhood" take a peak inside.

Brooklynite Gallery
334 Malcolm X Blvd
Brooklyn, New York 11233






Shout out to the chick who asked that I give her my copy of the price list back because she wanted to save them for people who wanted to buy...nice.

BLITZ The Ambassador & The Bronx Princess


The combination of insomnia and web surfing would typically lead the less morally astute to smut. But noooo, not us! At The Toy Plane we pride ourselves on being home alone on weekends Wiki-ing the history of peanut butter and crusing for action on PBS.org.

Score! Stumbling on the documentary film 'Bronx Princess' was a treat. What this film lacks in complexity it makes up for in heart. With an amazing soundtrack and beautiful backdrop 'Bronx Princess' is worth a view. Relatively short, it's available to watch free online until November 24th
.








Synopsis (via pbs.org) Rocky Otoo is the Bronx-bred teenage daughter of Ghanaian parents, and she's no pushover. She is a sassy high-achiever bound for college. With freedom in sight, Rocky rebels against her mother's rules. When their relationship reaches a breaking point, Rocky flees to her father, a chief in Ghana. What follows is captured in Bronx Princess, a tumultuous coming-of-age story set in a homeland both familiar and strange. Her precocious — and very American — ideas of a successful, independent life conflict with her father's traditional African values. Reconciling her dual legacies becomes an unexpected chapter in this unforgettable young woman's education.


We also learned our BK comrade BLITZ The Ambassador composed the musical score for the film...DOPE! BLITZ explains the process and inspiration behind the Highlife sounds he created for the film.  









P.S. Wow! I've seen him play but I didnt realize he was a "real" musician..dope.boy.fresh. Want to hear more? Blitz's Album on itunes



F*ck ready to wear, get ready to rumble!



At last! Downtown style darlings House of Diehl have perfected the cocktail for a fashionably good time. The recipe? A little event they pull together every year called STYLE WARS. The Toy Plane scored access to House of Diehl’s STYLE WARS: STYLE BATTLE CHAMPIONSHIP earlier this month at legendary Don Hills in New York City. Hosted by Surface magazine and featuring a panel of stylish VIP judges Jenny Shimizu, Claw Money, Elettra Rossellini Weidemann & Rebecca Weinberg, STYLE WARS has grown into an international fashion party and competition like no other.

So what exactly is Style Battling? Let’s revisit that cocktail recipe analogy again, shall we? Mix 1 part thrift store shopping, 1 part hip hop battle, add a dash of Project Runway style drama, killer DJ's, and more than a few splashes of fresh talent. Then shake well and pour over a crazy hyped audience. That is Style Battling. Like some sort of high art boxing match using live mannequins, designers go head to head in 4 minute rounds of cut and sew -or in this case cut and tape- fury. Making use of everything from vintage clothing and random lamp shades to plain old trash these kids turn crap into incredible- and sometimes incredibly odd- new garments. Newbie designers battle for bragging rights and a chance at global exposure with a tour and spread in Surface Magazine.



House of Diehl creative partners (and the evenings MC’s) Mary Jo Diehl and Roman Milisic opened the show by crafting a spacesuit-slash-cocktail dress out of ‘I HEART MY CLEANERS’ hangers and Scotch Tape. Dope yes, but they weren't the ones competing. So for the next hour or so, crowd and judge watched and cheered for a way too easy newspaper dress, a tragically charming Karate Kid inspired jumpsuit thingy, and a Berlin Wall/Set it Off get up (the latter being the authors personal fave). But in the end there could only be one winner. A cute little duo of stylish vixens with a line called Dominique Auxilly trumped the night by turning paper strips into an animated tennis skirt and a frumpy 80’s wedding dress into a swanky vintage Chanel inspired cocktail frock. Kudos cuties!

Check out House of Diehl to see where the STYLE WARS tour ends up next.

P.S. Check out  HAEtv coverage of StyleWars and live interviews with some of the designers and judges!


TEAR DOWN THE WALLS!

FEMI KUTI & THE POSTIVE FORCE AT THE AFRO-BEAT FESTIVAL IN NEW YORK CITY





With the rise in popularity of global music stars amongst younger, more adventurous music fans strictly American dominance of the airwaves is slowly fading away. Whether in a genuine search for the next funky sound or just to ‘keep up with the Jones’ more listeners are reaching beyond local borders to discover new and old music.

Any self respecting music lover worth his weight in salt is at least familiar with the music of Femi Kuti, son of the late legendary Afro-Beat King, Fela Kuti. In the 1970 & 80’s Fela -inspired by the sounds of highlife and the funk of folks like James Brown- electrified the contemporary African music scene with a mix of Afro/Pop/Funk/Jazz that would forever solidify Nigeria's place on the world music map.



Femi’s sound has and probably always will hint at his fathers legacy and although that is a great complement, on DAY BY DAY, the first studio album in seven years by the reigning King of Afro-Beat (released in the US by Mercer Street Records) Femi Kuti is more determined than ever to etch his own mark. As Femi reaches back to Nigeria's big band roots with DAY BY DAY he simultaneously pushes his genre forward with new sounds that are pure jazz, pure gospel, pure soul and pure black.

The Toy Plane had the pleasure of catching Femi Kuti backed by his army of fresh young musicians, Positive Force, earlier this month at the Afro-Beat festival in New York City. Femi rocked a solid two hour set full of frantic rhythms packed with a political and sensual energy that for the congregation in assembly was nothing short of a religious experience.




Photos gracefully provided by Kwesi Abbensetts http://www.spaceshipgeorge.blogspot.com/

Well , That Looks Cool




we have absolutely nothing to do with this event, but it looks cool. you should go.






Saturday, November 21st 2009
Score! pop-up swap
hosted by  Bust ,   Flavorpill   MeanRed
supported by   L Magazine ,   Hearty Magazine  and  Yelp.com

‘Tis the season for sharing and exchanging. On Nov 21st, 3rd Ward will lend its space to a massive free exchange. Bring your old Blondie records, impulse sample sale buys, penny loafers, Jane Fonda workout videos, harmonica chord progression manuals, etc…and score some new treasures! Find a holiday gift for your mom, a smashing scarf for your friend, or a Queen Latifah cassette tape for your own personal collection. All items are free, and all remaining goods go to charity.
Grab a custom  Score! tote bag! Proceeds from the event go to support  City Harvest .
Categories
Clothing & Accessories (Guys, Gals, Kids) - curated by Nisha Gopalan (senior editor,  Nylon Magazine)
Music - curated by  Showpaper
Art Supplies - curated by  Lowbrow Society For The Arts
Books DVDs / Media - curated by  The Desk Set
Housewares & Miscellany - curated by Natalie Kamei

3rd Ward  // 195 Morgan Ave @ Stagg
1pm to 7 pm, $3 entry w/   RSVP
donations accepted up until 5pm
follow us for updates, treats and surprises!  @scoreswap

Tim who?




Meet Tara Dougans Toronto illustrator and apparent beautiful mind. Check out some of her highly detailed, vibrant and oft-terrifying work on her website . Cute + Brilliant!

"I am a curious person who likes sharp lines, contrasting colours and aerodynamic haircuts. Right now I'm into aztec patterns, bear fur, pompadours, braids, old bed sheets and baroque wallpaper. I work primarily in pencil and I am obsessed with detail. I like action". -Tara Dougans
(courtesy of lamomo magazine)

Next time your in T-dot (and be sure to invite us with you) find a studio and check her out. We'd love to see these up close!




I AM ASSATA SHAKUR - A Party & Benefit for The Sundiata Acoli Freedom Campaign

I AM ASSATA SHAKUR - A Party & Benefit for The Sundiata Acoli Freedom Campaign

We Still Heart: Hip Hop

Big thanks to @JONUBIAN who tweeted this clip of two of the best MC'S to ever weave rap tales in this impromptu moment of pure feel good. It's heartwarming to watch Mos Def transform into a fan before the cameras lens. Bypassing the typical ego of fame, hip-hop in particular,  it's clear Mos still loves and listens to the genre of music he's helped define. Watch as he tackles '75 Bars' (one of Black Thoughts numerous masterpieces off The Roots Rising Down Album) with Thought humbly providing back up.

"This is what it's all about!" ~The Spark



clip courtsey of www.frolab.com

Where I wanna be tonight!...but I'm broke so you should go!

Ah man... I bet this show is going to be great! The rain and my poor pockets will have me sitting this one out...but enjoy!   


P.S. Anybody been to the new Knitting Factory?  I do miss Lenoard street.
____________________


The official CMJ closing party!
Live and in full, beautiful effect will be: Bajah + The Dry Eye Crew, Blitz the Ambassador, Jahdan Blakkamoore and Matt Shadetek, IyaDedE, DJ Zakee Kuduro, and a guest performance by the Sierra Leonean father of Bubu music: Ahmed Janka Nabay


.


And because the beat won't stop 'til the cops come knocking, stick around for a late-night Afro-dubstep/electro hip-hop set with secret special guests, a rowdy performance by the spirit of the Nigerian master Fela Kuti , and an unruly (but loving) masquerade devil or two. Africa has never been hotter.


@ The Knitting Factory (NEW!)
361 Metropolitan Ave. (at Havemeyer)
Williamsburg, Brooklyn
11pm, $10 or free with CMJ badge


Akintola Hanif presents 'Fear Less' in Newark NJ


With a style that transcends photojournalism Akintola Hanif completely blurs all distinction between anthropologist and artist. While the diversity of his portfolio suggests Hanif can take 'pretty pictures' for now he seems defiantly resolved to focus his lens on the slum Othellos', the tragic and the beautiful. Fear and death collide with freedom and life in Hanif's striking, deeply personal collection of works. Few can capture pure despair and hope with as much beauty, respect and truth.





On Sunday, October 25, 2009, Akintola Hanif, with support from the Newark Arts Council presents his latest exhibit FEAR LESS. This exhibit is extra special because it also marks the premier of Hanif’s long awaited photography, design and film production studio HYCIDE in downtown Newark’s financial district. “I spent years looking for a location and then renovations and funding.... But it’s worth it. HYCIDE is my sanctuary, my place to plan and work. I’m looking forward to just creatively going in” says the Brooklyn, New York native. Nestled in a building which serves as a creative home to artists of various mediums & genres, the opening of HYCIDE studio will undoubtably present new opportunities and growth for this young artists' career.
Ndada Vaz



"Much like Gordon Parks, Jamel Shabazz and other lens legends before him, Hanif no doubt represents the next generation of truly talented photographers. Honest, introspective and gripping, his razor sharp imagery bears testiment to the beauty, and the beast that is inner-city America."

-Koe Rodriguez, Visual Artist & Hip-Hop Documentarian